Widely considered among the most gifted composers of his generation, Michael Hersch’s work has been performed in the U.S. and abroad under conductors including Mariss Jansons, Alan Gilbert, Marin Alsop, Robert Spano, Carlos Kalmar, Yuri Temirkanov, Giancarlo Guerrero, and James DePreist; with the major orchestras of Cleveland, Saint Louis, Pittsburgh, Atlanta, Baltimore, Dallas, Cincinnati, Seattle, and Oregon, among others; and ensembles including the String Soloists of the Berlin Philharmonic, the Chamber Orchestra of Philadelphia, Ensemble Klang, the Kreutzer Quartet, the Blair Quartet, NUNC, and the Network for New Music Ensemble. He has written for such soloists as Thomas Hampson, Midori, Garrick Ohlsson, Béla Fleck, Patricia Kopatchinskaja, Shai Wosner, Miranda Cuckson, Boris Pergamenschikow, Walter Boeykens, Peter Sheppard-Skaerved, Michael Sachs, and Daniel Gaisford.

His solo and chamber works have appeared on programs around the globe – from the Chamber Music Society of Lincoln Center and Carnegie Hall in the U.S. to Germany’s Schloss Neuhardenberg Festival in Brandenberg and the Philharmonie in Berlin; from the U.K.’s Dartington New Music Festival and British Museum to Italy’s Romaeuropa and Nuova Consonanza Festivals. Performances in the far east include those with the Singapore Symphony Orchestra and Japan’s Pacific Music Festival.

2015/16 will see several major premieres, including his Violin Concerto, commissioned by the Saint Paul Chamber Orchestra and Patricia Kopatchinskaja, and Carrion-Miles to Purgatory: thirteen pieces after texts of Robert Lowell for violin and cello, commissioned by the Library of Congress. During the 2014/15 season Mr. Hersch’s concerto for trombone and ensemble,Black Untitled, was premiered by Anton van Houten and Ensemble Klang in the Netherlands, his program-length work for violin and piano, Zwischen Leben und Tod: twenty-two pieces after images of Peter Weiss, was premiered in Nashville by Carolyn Huebl and Mark Wait, and a breath upwards for soprano, clarinet, horn and viola, premiered by the Network for New Music in Philadelphia. Other notable events included European performances by the Kreutzer Quartet of Images From a Closed Ward in the U.K. and Sweden, and pianist Jacob Rhodebeck’s performance of The Vanishing Pavilions in New York City, the first complete performance of the 3-hour work since the premiere given by the composer in 2006.

2013/14 saw several European premieres, including that of his string quartet at London’s Waterloo Festival, and his concerto for piano and orchestra, along the ravines, with the Deutsche Radio Philharmonie (Shai Wosner, piano/Tito Munoz, conducting) in Germany. The concerto was also presented as part of the George Enescu International Festival in Romania (Timisoara and Bucharest) with pianist Matei Varga under the direction of Radu Popa. In the U.S., pianist Garrick Ohlsson gave the world premiere of Tenebrae for solo piano as part of the Santa Fe Chamber Music Festival and Of Sorrow Born: Seven Elegies, a work for solo violin commissioned by the New York Philharmonic, premiered at the orchestra’s Biennial. In June of 2014, Mr. Hersch’s acclaimed monodrama, On the Threshold of Winter, received its world premiere at the Brooklyn Academy of Music in New York by NUNC (Miranda Cuckson, Artistic Director), with soprano Ah Young Hong in the starring role.

Notable past performances include Night Pieces, commissioned and premiered by the Cleveland Orchestra, and a song cycle for baritone and piano, Domicilium, premiered by Thomas Hampson and Wolfgang Rieger on San Francisco Performances (commissioned by Mr. Hampson and the ASCAP Kingsford Commissions for Art Song). In 2012, Mr. Hersch’s string quartet Images from a Closed Ward, commissioned by the Blair String Quartet, received premiere performances in New York, Philadelphia and Nashville. Also that year, Mr. Hersch’s second piano concerto, along the ravines, commissioned by pianist Shai Wosner and the Borletti-Buitoni Trust received its premiere with the Seattle Symphony Orchestra with Mr. Wosner as soloist under the direction of Gerard Schwarz.

During the summer of 2010, Mr. Hersch’s Symphony No. 3 was premiered by Marin Alsop and the Cabrillo Contemporary Music Festival Orchestra, a festival commission. His work, in the snowy margins, was premiered by Peter Sheppard-Skaerved at the Dartington New Music Festival in the U.K. Other works that season included Mr. Hersch’s A Forest of Attics,written for the Network for New Music’s 25th anniversary season. The piece was selected as one of the year’s most important classical music events by The Philadelphia Inquirer. The paper said of the work, “A Forest of Attics threw a Molotov cocktail into the concert: Everything before it paled in comparison … Hersch has written some towering works in recent years; this is yet another.”

His music increasingly recorded, Vanguard Classics released five Hersch recordings over the past decade. In 2009, a recording of his Sonatas Nos. 1 & 2 for Unaccompanied Cello was released, and his complete works for violin the following year. In 2007, Vanguard Classics/Musical Concepts released the landmark boxed-set of Hersch’s The Vanishing Pavilions, with the composer at the keyboard. Mr. Hersch’s second disc for the label, featuring the composer performing his own works in addition to those of Feldman, Rihm and Josquin, was selected by The Washington Post and Newsday as among the notable recordings of 2004-05. That disc followed-up his first, released in 2003, which features Mr. Hersch performing his Two Pieces for Piano and Recordatio, with additional performances of Mr. Hersch’s chamber works for strings by the String Soloists of the Berlin Philharmonic. In 2006, a recording of Mr. Hersch’s early orchestral works, including his Symphonies Nos. 1 & 2, was released on the Naxos American Classics series with Marin Alsop conducting the Bournemouth Symphony Orchestra. In 2013, Innova Records released the first of three Hersch recordings including a live concert performance – Mr. Hersch’s first appearance as a pianist in New York City in over a decade – Michael Hersch: Live in Concert. This was followed-up by Hersch’sImages From a Closed Ward in 2014, and in 2015 Hersch’s work for horn and cello, Last Autumn, was released as a 2-CD set.

Past highlights include the completion of his Symphony No. 2, completed in 2001 while the composer was living in Germany, written for Mariss Jansons and the Pittsburgh Symphony Orchestra. This was the second Hersch work which Jansons and the orchestra toured with to Carnegie Hall. A work for clarinet and cello written for clarinetist Walter Boeykens was premiered at the Pantheon in Rome that year as part of the Romaeuropa Festival. During the summer of 2002, Hersch’s Octet for Strings, commissioned by Boris Pergamenschikow and the Kronberg Akademie, was given its premiere at the Schloss Neuhardenberg Festival in Brandenberg. For the 2002/03 season Mr. Hersch was selected as the Pittsburgh Symphony Orchestra’s resident composer by Music Director Mariss Jansons. Mr. Hersch’s Piano Concerto, commissioned by Garrick Ohlsson and the orchestras of St. Louis, Oregon and Pittsburgh, was premiered during the fall 2002. In early 2003, at the Philharmonie in Berlin, the String Soloists of the Berlin Philharmonic performed two of Hersch’s works including the Octet for Strings and the premiere of his Duo for viola and cello. Later that year Mr. Hersch gave the world premiere of his Recordatio and Two Pieces at the Musica XXI Romaeuropa Festival in Italy. During this same concert, cellist Daniel Gaisford gave the premiere of Mr. Hersch’s Sonata No. 2 for Unaccompanied Cello. In the fall of 2004, his work for violin and piano, the wreckage of flowers, commissioned by Midori, was given performances by the violinist and pianist Robert McDonald in Lisbon, London and New York. Arraché, commissioned by the Baltimore Symphony Orchestra for the opening of their new concert hall, was premiered in early 2005. On October 14th, 2006 in Philadelphia, Hersch gave the world premiere of The Vanishing Pavilions. In 2009, also in Philadelphia, Last Autumn, premiered.

Also regarded among today’s most formidable pianists, Mr. Hersch has appeared on the Van Cliburn Foundation’s Modern at the Modern Series, the Romaeuropa Festival, the Phillips Collection in Washington D.C., Cleveland’s Reinberger Chamber Hall, the Festival of Contemporary Music Nuova Consonanza, the Warhol Museum, the Network for New Music Concert Series, the Left Bank Concert Society, the American Academy in Berlin Series, Festa Europea della Musica, St. Louis’ Sheldon Concert Hall, and in New York City at Merkin Concert Hall, the 92nd St. Y – Tisch Center for the Performing Arts, and Carnegie Hall’s Weill Recital Hall, among others.

Born in Washington D.C., Michael Hersch came to international attention at age twenty-five, when he was awarded First Prize in the Concordia American Composers Awards. The award resulted in a performance of his Elegy, conducted by Marin Alsop in New York’s Alice Tully Hall in early 1997. Later that year he became one of the youngest recipients ever of a Guggenheim Fellowship in Composition. Mr. Hersch has also been the recipient of the Rome Prize, the Berlin Prize, both the Charles Ives Scholarship and Goddard Lieberson Fellowship from the American Academy of Arts & Letters, and many other honors. He was a fellow at the Tanglewood Music Center, the Norfolk Festival for Contemporary Music, and the Pacific Music Festival in Sapporo, Japan. His primary studies were at the Peabody Institute of Music in Baltimore, with additional studies at the Moscow Conservatory in Russia. Mr. Hersch currently serves on the composition faculty at the Peabody Institute of the Johns Hopkins University.