ClevelandClassical.com | Review

“Hadelich made easy work of the first movement’s double-stops and arpeggiations, brought expressive vocal qualities to the Italian serenade-like slow movement, and dashed stylishly through the contrasting solo passages of the finale. Hadelich was all smiles and charm as he interacted with his Orpheus colleagues, and they returned the favor handsomely.”

For the Full Review, Click Here