Orpheus Chamber Orchestra
490 Riverside Drive, 11th floor
New York, NY 10027-5788

(212) 896 1700

Tickets & Concerts
New York Concerts

Orpheus & Angela Hewitt J.S. Bach's Keyboard Concertos

The 92nd Street Y | New York, NY

NOV 17 2022 | 7:30PM

The Program

Concert Duration: 2 hours (includes intermission)

  • Bach

    Keyboard Concerto No. 4 in A major, BWV 1055

  • Bach

    Keyboard Concerto, No. 2 in E Major, BWV 1053

  • Bach

    Keyboard Concerto No. 5 in F minor, BWV 1056

  • Bach

    Concerto for Flute, Violin, Keyboard in A minor (“Triple”), BWV 1044

  • Bach

    Keyboard Concerto No. 7 in G minor, BWV 1058

Hewitt Keith Saunders

"I know of no musician whose Bach playing on any instrument is of greater subtlety, beauty of tone, persuasiveness of judgement or instrumental command than Hewitt’s is here..."

— BBC Music Magazine

Reviews

An instant link from head and heart to fingertips The New York Times Gifted not only with fingers that imprint each note... but also with the ability to convey a spiritual seriousness that nonetheless does not exclude an utter charm. The Sunday Times

About the artist

Angela Hewitt
piano

One of the world’s leading pianists, Angela Hewitt appears in recital and as soloist with major orchestras throughout Europe, the Americas, Australia, and Asia. Her interpretations of the music of J.S. Bach have established her as one of the composer’s foremost interpreters of our time.

Born in 1958 into a musical family (the daughter of the Cathedral organist and choirmaster in Ottawa, Canada), Angela began her piano studies age three, performed in public at four and a year later won her first scholarship. In her formative years, she also studied classical ballet, violin, and recorder. From 1963-73 she studied at Toronto’s Royal Conservatory of Music with Earle Moss and Myrtle Guerrero, after which she completed her Bachelor of Music in Performance at the University of Ottawa in the class of French pianist Jean-Paul Sévilla, graduating at the age of 18. She was a prizewinner in numerous piano competitions in Europe, Canada, and the USA, but it was her triumph in the 1985 Toronto International Bach Piano Competition, held in memory of Glenn Gould, that truly launched her international career.

Angela’s award-winning cycle for Hyperion Records of all the major keyboard works of Bach has been described as “one of the record glories of our age” (The Sunday Times). Begun in 1994, it culminated with her much-awaited recording of Bach’s Art of Fugue in 2014 which immediately hit the charts in the UK and USA. Her extensive discography also includes solo recordings of Scarlatti, Handel, Couperin, Rameau, Scarlatti, Haydn, Mozart, Beethoven, Chopin, Schumann, Liszt, Fauré, Debussy, Chabrier, Ravel, Granados and Messiaen. She has won four Juno Awards, including one for her album of Mozart Concertos with Canada’s National Arts Centre Orchestra. Other concerto recordings include the complete Bach Concertos with the Australian Chamber Orchestra; the works for piano and orchestra of Schumann with the Deutsches Symphonie-Orchester Berlin; and Messiaen’s mammoth Turangalila Symphony with the Finnish Radio Symphony Orchestra. In 2015, Angela was inducted into Gramophone Magazine’s “Hall of Fame”, reflecting her popularity with music lovers around the world. Recent releases include her second recording of Bach’s Six Partitas, made
over twenty years after the first, and the penultimate CD in her complete cycle of Beethoven Sonatas.

During the 2007-2008 season, Angela embarked on her Bach World Tour, performing the Well-Tempered Clavier in 21 countries on six continents. At the same time, she released a DVD entitled Bach Performance on the Piano, sharing her experience of learning and performing Bach with amateurs and professionals alike.

One of her current projects, The Bach Odyssey, sees her performing all the keyboard works of J.S. Bach in a series of twelve recitals between 2016 and 2020, presenting the complete cycle in London, New York, Ottawa, Tokyo, and Florence. In June 2020, at the end of the Bach Odyssey, she will be presented with two very distinguished awards: the Wigmore Hall Medal and the City of Leipzig Bach Medal. She will be the first woman ever to be presented with the latter in its 17-year history.

Conducting concertos of Bach, Mozart, and Beethoven from the piano, Angela has led the Toronto Symphony, the Hong Kong Philharmonic, the Copenhagen Philharmonic, the Lucerne Festival Strings, the Kammerorchester Basel, the Vancouver Symphony, the Stuttgart Chamber Orchestra, the Britten Sinfonia, the Swedish Chamber Orchestra, the Zurich Chamber Orchestra, the Salzburg Camerata, the orchestra of RAI Torino, and in 2019 made her debut playing and conducting Bach with the Vienna Tonkünstler Orchestra in Vienna’s Musikverein.

Along with performing a vast amount of the standard repertoire, Angela has also commissioned new works including two piano concertos: the Second Piano Concerto of Dominic Muldowney (premiered with the BBC Symphony in 2002); and in 2017 Nameless Seas by Canadian-Finnish composer Matthew Whittall (with the National Arts Centre Orchestra). Canadian composers such as Oskar Morawetz, Steven Gellman, Gary Kulesha, David McIntyre, and Patrick Cardy also wrote pieces dedicated to her. In 2010 she commissioned seven composers from around the world to write short pieces inspired by Bach which were published in a collection (along with several of her own Bach transcriptions) entitled Angela Hewitt’s Bach Book.

Described as “one of the busiest pianists on earth” by London’s Evening Standard (2005), Angela gives well over 100 concerts a year, but also devotes herself to nurturing new talent. Her masterclasses, both around the world and online, are hugely appreciated, and every few years she gives a week-long masterclass in Italy for gifted pianists. She was also part of Piano Six from 1994-2004: a project which took live music into the remote communities of Canada—giving concerts, masterclasses, and playing for school children across the country. Her writings on music include all the liner notes for her CD recordings as well as several book reviews for the Times Literary Supplement.

In 2005, Angela launched the Trasimeno Music Festival in the heart of Umbria, Italy of which she is Artistic Director. An annual event, it draws an international audience to stunning venues including the Castle of the Knights of Malta in Magione (near Perugia) on the shores of Lake Trasimeno. Seven concerts in seven days feature Hewitt as recitalist, chamber musician, song accompanist, and conductor, working with both established and young artists of her choosing. Involving writers and actors in the programming has been a particular pleasure for her, and she has gone on to perform with many of them elsewhere: with authors Ian McEwan and Julian Barnes in London, Vienna, and New York; and with actor Roger Allam in Venice and at Shakespeare’s Globe in London. Her recordings and live performances have featured in such films as The Tree of Life (2011), The Life Aquatic (2004), The Impassioned Eye (2003)—a documentary on Henri Cartier-Bresson, and, to be released in 2018, The Children Act (based on the novel by Ian McEwan and starring Emma Thompson).

As an Ambassador for “Orkidstra”– a Sistema-inspired social development program in Ottawa’s inner city, she brings attention to how music can bring children and young adults together through the joy of making music and learning an instrument, as well as how it teaches valuable skills such as commitment, teamwork and tolerance.

Travelling the globe from Dunedin in New Zealand to Iqaluit on Baffin Island (Nunavut), she has built up a huge fan base with which, having embraced social media, she remains in constant contact.

In 2006 Angela was awarded an OBE from Queen Elizabeth II, and in 2015 she was promoted to a Companion of the Order of Canada. She was “Artist of the Year” at the 2006 Gramophone Awards, “Instrumentalist of the Year” at the 2010 MIDEM Classical Awards at Cannes, and in 2018 received the Governor General’s Lifetime Achievement Award in Ottawa. She is a member of the Royal Society of Canada, has seven honorary doctorates, and is a Visiting Fellow of Peterhouse College, Cambridge.

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