Orpheus Chamber Orchestra
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New York City Concerts

Orpheus & Maxim Vengerov Mozart Concertos Nos. 1, 3, 4, and Concertone for Two Violins with Miho Saegusa

Stern Auditorium/Perelman Stage at Carnegie Hall | New York, NY

NOV 6 2024 | 8:00PM
Maxim Vengerov website
Tickets from $41
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Maxim Vengerov performs Mozart

Concert Duration: 2.5 hours (includes intermission)

  • Mozart

    Concertone for Two Violins, K. 190
    with Miho Saegusa, violin

  • Mozart

    Violin Concerto No. 3 in G Major, K. 216

  • Mozart

    Adagio for Violin and Orchestra in E Major, K. 261

  • Mozart

    Violin Concerto No. 1 in B-flat Major, K. 207

  • Mozart

    Violin Concerto No. 4 in D Major, K. 218

Maxim Vengerov website

Eminent violinist Maxim Vengerov and Orpheus perform Mozart’s complete works for violin and orchestra across two consecutive evenings. In this first performance, hear three of Mozart’s five violin concertos, as well as his Concertone for Two Violins (featuring Orpheus’ Miho Saegusa) and the Adagio for Violin and Orchestra in E Major. This momentous all-Mozart performance is the official start of Vengerov’s incredible three-year Perspectives series at Carnegie Hall.

Vengerov delivered an incendiary performance… the virtuoso proved himself at the top of his very considerable game.The Guardian

About the artists

Maxim Vengerov
Violin

Universally hailed as one of the world’s finest musicians, and often referred to as the greatest living string player in the world today, Grammy award winner Maxim Vengerov also enjoys international acclaim as a conductor and is one of the most in-demand soloists.

Born in 1974, he began his career as a solo violinist at the age of five, won the Wieniawski and Carl Flesch international competitions at ages 10 and 15 respectively, studied with Galina Tourchaninova and Zakhar Bron, made his first recording at the age of 10, and went on to record extensively for high-profile labels including Melodia, Teldec and EMI, earning among others, Grammy and Gramophone artist of the year awards.

In 2007 he followed in the footsteps of his mentor, the late Mstislav Rostropovich, and turned his attention to conducting and in 2010 was appointed the first chief conductor of the Gstaad Festival Orchestra. June 2014 saw Mr Vengerov graduate with a Diploma of Excellence from the Moscow Institute of Ippolitov-Ivanov with professor Yuri Simonov and he has since finished a further 2-year program of opera conducting.

Highlights of recent seasons saw Mr Vengerov opening the season of the Orchestra Filarmonica della Scala with Maestro Chailly, a Residence with Monte Carlo Philharmonic and the Philharmonie in Paris as well as a world wide recital tours. Highlights of the 22/23 season saw him in an extensive US and Canadian recital tour including Berkeley, Kansas City, New York and Toronto, and an 11 concerts tour in the UK. Other orchestral performances as a soloist include Montreal, Vienna, London, Paris and Taiwan and chamber music concerts with Evgeny Kissin and Stephen Isserliss at Carngie Hall, and in Switzerland with Simon Trpcesky and Stephen Isserliss. He also joined Aspen and Bravo Vale Festival in the States this summer in Recital, Masterclasses and Concerto performance with Fabio Luisi and the Dallas SO and celebrated 40 years on stage at the Royal Albert Hall in a big gala concert in April 2023. In 2023/24 he will open the Shanghai International Festival with Christoph Eschenbach, will embarque on another world wine Recital tour including America, South America, Europe, Asia and Australia and will perform orchestra concerts in amongst others in Vienna, Paris and Milan.

In 2020 Maxim Vengerov became Classic FM’s first solo Artist in Residence and released a new recording of Tchaikovsky’s Violin Concerto with conductor Myung-Whun Chung and the Orchestre Philharmonique de Radio France, coupled with works by Saint-Säens and Ravel as well as a live recital from Carnegie Hall.

As one of Mr Vengerov’s greatest passions is the teaching and encouraging of young talent, he has held various teaching positions around the world. He currently holds the Stephan and Viktoria Schmidheiny Stiftungsprofessor at the Mozarteum University Salzburg and since September 2016 he is also the Polonsky Visiting Professor of Violin at the Royal College of Music in London. In 2018 Maxim Vengerov became the Goodwill Ambassador of the Musica Mundi School – a unique institution, which supports young talents. With the vision of democratising the access of music learning, he launched his own online platform in January 2021:www.maximvengerov.com and created an impact across 170 countries and over 190 million reach. His first year programs include partnerships with musical institutions from around the world, the Lottery Ticket program, guest artist series inaugurated with Brett Yang from TwoSet Violin, as well as his new global community group who’s initiatives include the world leading Mentoring program, rural musical communities initiative and the Musical Pen Pals program for children.

Mr Vengerov has been profiled in a series of documentaries, including Playing by Heart, which was recorded by Channel Four Television and screened at the Cannes Television Festival in 1999, and Living the Dream, which was released worldwide and received the Gramophone Award for Best Documentary in 2008.

Mr Vengerov has received prestigious fellowships and honours from a number of institutions. In 2012 he was awarded an Honorary Visiting Fellowship at Trinity College Oxford and in 2019 he received an Honorary Doctorate from the Royal College of Music London and in 2019 he received an Honorary Doctorate from the Royal College of Music London and the Order of Cultural Merit from the Palace Monte Carlo.

Mr Vengerov has also received numerous awards including Grammy Award for Best Instrumental Soloist Performance (with Orchestra) (2003), two Gramophone awards (1994, 1995), a Classical Brit Award (2004), five Edison Classical Music Awards (1995, 1996, 1998, 2003, 2004), two ECHO awards (1997, 2003) and a World Economic Forum Crystal award (2007) – honouring artists who have used their art to improve the state of the world.

He plays the ex-Kreutzer Stradivari (1727).

Miho Saegusa by Titilayo Ayangade horizontal

Miho Saegusa
Violin

Violinist Miho Saegusa, a versatile chamber musician and orchestral leader, cherishes the spirit of collaboration and the joy of shared music-making. She is a founding member of the Grammy-nominated Aizuri Quartet, recipient of the 2022 Cleveland Quartet Award from Chamber Music America, Grand Prize and CAG Management Prize at the 2018 M-Prize Chamber Arts Competition, along with top prizes at the 2017 Osaka International Chamber Music Competition and the 2015 Wigmore Hall International String Quartet Competition. For Aizuri, the string quartet is a living art and springboard for community, collaboration, curiosity, and experimentation. Its engaging and thought-provoking programs, branded by The New York Times as “genuinely exciting” and “imaginative,” connect the string quartet to storytelling and the many layers of the human experience.

Aizuri's debut album Blueprinting, released by New Amsterdam Records, earned a 2019 GRAMMY Award nomination. Earthdrawn Skies, the Quartet’s second album, was named one of NPR’s “10 Best Classical Albums of 2023.” In 2022, Aizuri was one of the fellows of the Artist Propulsion Lab, a project of New York City’s classical radio station WQXR. In addition to the world’s great chamber music halls and series, the Quartet has performed in an eclectic variety of settings. Aizuri opened for and performed five nights of performances with the legendary band Wilco at New York’s United Palace Theatre, and appeared with Wilco on CBS’s The Tonight Show with Steven Colbert. With the Milwaukee Symphony Orchestra, conducted by Ken-David Masur, the Quartet performed John Adams’s string quartet concerto Absolute Jest. The Quartet appeared in Kronos Quartet’s 2023 Kronos Festival at SFJAZZ, performing works from Kronos’s groundbreaking 50 For the Future initiative. Since 2023, Aizuri has been ensemble-in-residence with New York Youth Symphony’s Crescendo program.

Miho’s passion for chamber ensembles was ignited and nurtured through memorable summers at the Marlboro Music Festival, Ravinia Steans Institute, and Aspen Music Festival and School. During these summers, she collaborated with venerated musicians such as Mitsuko Uchida, Richard Goode, Arnold Steinhardt, David Soyer, Miriam Fried, and Lynn Harrell. In addition to the Aizuri albums, Miho recorded ela with the Concordia Chamber Players, featuring music by Amy Beach, Louise Farrenc, and Ellen Taafe Zwilich.

In addition to chamber music, Miho loves the energy and intimacy of chamber orchestras. She is a member and has served as an Artistic Director and Personnel Coordinator of the celebrated Orpheus Chamber Orchestra. For five seasons she was Concertmaster of the Chamber Orchestra of Philadelphia, and since 2001 is a member of Iris Orchestra, now Iris Collective, where she has held the Isaac Stern Concertmaster Chair on numerous occasions. Miho has been a guest with the Festival Orchestra of Lincoln Center, Ottawa’s National Arts Center Orchestra, Orchestra of St. Luke’s, East Coast Chamber Orchestra, NOVUS NY, Gamut Bach Ensemble, Saint Paul Chamber Orchestra, A Far Cry, and the Knights.

Miho has been featured as soloist with the Chamber Orchestra of Philadelphia, Iris Orchestra, New Jersey Symphony, Aspen Concert Orchestra, Juilliard Orchestra, and the Yale Symphony Orchestra. As the first recipient of the Aspen Music Festival and School's Dorothy DeLay Fellowship, Miho performed in the Festival's memorial tribute to Miss DeLay with the Aspen Chamber Symphony and conductor David Zinman. Additional honors include prizes at the New Jersey Symphony Orchestra Young Artist Auditions, Wieniawski-Lipinski International Competition, Yehudi Menuhin International Competition, Juilliard Concerto Competition, and Yale University's William Waite Competition. Miho is a recipient of both the Scholarship and Music Awards from the Japanese American Association of New York.

Born in Kitakyushu, Japan, Miho has played the violin since the age of five. She is very grateful to her principal teachers Masao Kawasaki and Dorothy DeLay for encouraging curiosity. She received her Bachelor of Arts degree from Yale University, and completed graduate work at The Juilliard School, earning her Master of Music and Artist Diploma. While touring, Miho loves creating memories through food in addition to music. Whenever possible she likes to explore local restaurants and farmers markets, and experiments with recipes when back at home.

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