Orpheus Chamber Orchestra and Garrick Ohlsson Reunite at Carnegie Hall

For immediate release

Orpheus Orpheus will perform the world premiere of Each Moment is a New Discovery by Grammy Award-winning composer, Billy Childs, co-commissioned by Orpheus

• Orpheus Chamber Orchestra, New York’s iconic conductorless orchestra, begins its season with the incomparable pianist Garrick Ohlsson on a four-city tour, including a performance in Carnegie Hall’s Stern Auditorium / Perelman Stage, and the opening night performance for SUNY Purchase’s Performing Arts Center
  

• The program is Orpheus at its finest, with selections by Mozart (Jeunehomme Piano Concerto), Brahms (Variations and Fugue on a Theme by Handel, Op. 24, orchestrated by Michael Stephen Brown), and the world premiere of a new work by six-time Grammy Award winner (and 17-time nominee) Billy Childs

• Garrick Ohlsson remains one of the world’s most celebrated living pianists, sought by ensembles and presenters for his effortless, but enormous pianistic tone, and absolute technical mastery; often lauded as the authority on Chopin, the breadth of Ohlsson’s sweeping repertoire is as polished as it is vast

• Orpheus and Ohlsson have performed together on several occasions, including performances at Carnegie Hall and Montclair State University

• Every Moment is a New Discovery by Childs is a co-commission between Orpheus Chamber Orchestra and St. Paul Chamber Orchestra
• The composer shares that the piece was written in response to a series of life and world events which were distressing him at the time of composition: “I started thinking about the fact that with each moment, you don’t know what is going to happen. I wanted to give the sense that there are things still unfolding in your life that could be positive.” 
• The program will be performed at Weis Center for the Performing Arts at Bucknell University (Lewisburg, PA), The Performing Arts Center at Purchase College (Purchase, NY), Stern Auditorium / Perelman Stage at Carnegie Hall (New York, NY), and the Morris Museum (Morristown, NJ) 
• Following the extraordinary milestone of its 50th season in 2022-2023, Orpheus began compiling rare memorabilia - photos, programs, and personal anecdotes - from its archives which will be released as a commemorative book later this year  

Bucknell University Weis Center for the Performing Arts, Lewisburg, PA (Thursday, September 26, 2024 at 7:30PM)

Purchase College Performing Arts Center, Purchase, NY (Friday, September 27, 2024 at 7:30PM)

Carnegie Hall Stern Auditorium / Perelman Stage, New York, NY (Saturday, September 28, 2024 at 8PM)

Morris Museum, Morristown, NJ (Sunday, September 29, 2024 at 5PM)

BILLY CHILDS Each Moment Is a New Discovery
Commissioned by Orpheus & The Saint Paul Chamber Orchestra

MOZART Piano Concerto No. 9 in E-flat Major K. 271, Jeunehomme
Garrick Ohlsson, piano

BRAHMS Variations and Fugue on a Theme by Handel, Op. 24
orchestrated by Michael Stephen Brown

About Orpheus Chamber Orchestra

Orpheus Chamber Orchestra is a radical experiment in musical democracy, proving for fifty years what happens when exceptional artists gather with total trust in each other and faith in the creative process. Orpheus began in 1972 when cellist Julian Fifer assembled a group of New York freelancers in their early twenties to play orchestral repertoire as if it were chamber music. In that age of co-ops and communes, the idealistic Orpheans snubbed the “corporate” path of symphony orchestras and learned how to play, plan and promote concerts as a true collective, with leadership roles rotating from the very first performance.

It’s one thing for the four players of a string quartet to lean into the group sound and react spontaneously, but with 20 or 30 musicians together, the complexities and payoffs get magnified exponentially. Within its first decade, Orpheus made Carnegie Hall its home and became a global sensation through its tours of Europe and Asia. Its catalog of recordings for Deutsche Grammophon, Nonesuch and other labels grew to include more that 70 albums that still stand as benchmarks of the chamber orchestra repertoire, including Haydn symphonies, Mozart concertos, and twentieth-century gems by Stravinsky, Schoenberg, Ravel, and Bartók.

The sound of Orpheus is defined by its relationships, and guest artists have always been crucial partners in the process. Orpheus brings the best out of its collaborators, and those bonds deepen over time, as heard in the long arc of music-making with soloists such as Richard Goode and Branford Marsalis, and in the commitment to welcoming next-generation artists including Nobuyuki Tsujii and Tine Thing Helseth. Breaking down the barriers of classical repertoire, partnerships with Brad Mehldau, Wayne Shorter, Ravi Shankar, and many others from the sphere of jazz and beyond have redefined what a chamber orchestra can do. Relationships with composers and dozens of commissions have been another crucial way that Orpheus stretches itself, including a role for Jessie Montgomery as the orchestra’s first ever Artistic Partner. Having proven the power of direct communication and open-mindedness within the ensemble, the only relationship Orpheus has never had any use for is one with a conductor.

At home in New York and in the many concert halls it visits in the U.S. and beyond, Orpheus begins its next fifty years with a renewed commitment to enriching and reflecting the surrounding community. It will continue its groundbreaking work with those living with Alzheimer’s Disease through Orpheus Reflections,and the Orpheus Academy as well as the Orpheus Leadership Institute spread the positive lessons of trust and democracy to young musicians and those in positions of power. Each year, Access Orpheus reaches nearly 2000 public school students in all five boroughs of New York City, bringing music into their communities and welcoming them to Carnegie Hall. Always evolving as artists and leaders, the Orpheus musicians carry this communal legacy forward, counting on their shared artistry and mutual respect to make music and effect change.

About Garrick Ohlsson

Since his triumph as winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson has established himself worldwide as a musician of magisterial interpretive and technical prowess. Although long regarded as one of the world’s leading exponents of the music of Frédéric Chopin, Mr. Ohlsson commands an enormous repertoire, which ranges over the entire piano literature. A student of the late Claudio Arrau, Mr. Ohlsson has come to be noted for his masterly performances of the works of Mozart, Beethoven and Schubert, as well as the Romantic repertoire. To date he has at his command more than 80 concertos, ranging from Haydn and Mozart to works of the 21st century, the most recent being “Oceans Apart” by Justin Dello Joio commissioned for him by the Boston Symphony Orchestra and now available on Bridge Recordings. Also just released on Reference Recordings is the complete Beethoven concerti with Sir Donald Runnicles and the Grand Teton Music Festival Orchestra. 

With Orpheus Chamber Orchestra Mr. Ohlsson returns to Carnegie Hall in the fall and throughout the 24/25 season can be heard with orchestras in Portland, Madison, Kalamazoo, Palm Beach and Ft. Worth. In recital programs including works from Beethoven, Schubert, Chopin to Barber and Scriabin he will appear in Santa Barbara, Orange County, Aspen, Warsaw and London.

An avid chamber musician, Mr. Ohlsson has collaborated with the Cleveland, Emerson, Tokyo and Takacs string quartets. His recording with latter of the Amy Beach and Elgar quintets released by Hyperion in June 2020 received great press attention. Passionate about singing and singers, Mr. Ohlsson has appeared in recital with such legendary artists as Magda Olivero, Jessye Norman, and Ewa Podleś.

Mr. Ohlsson can be heard on the Arabesque, RCA Victor Red Seal, Angel, BMG, Delos, Hänssler, Nonesuch, Telarc, Hyperion and Virgin Classics labels. His ten-disc set of the complete Beethoven Sonatas, for Bridge Records, has garnered critical acclaim, including a GRAMMY® for Vol. 3. His recording of Rachmaninoff’s Concerto No. 3, with the Atlanta Symphony and Robert Spano, was released in 2011. In the fall of 2008 the English label Hyperion re-released his 16-disc set of the Complete Works of Chopin followed in 2010 by all the Brahms piano variations, “Goyescas” by Enrique Granados, and music of Charles Tomlinson Griffes. Most recently on that label are Scriabin’s Complete Poèmes, Smetana Czech Dances, and ètudes by Debussy, Bartok and Prokofiev. The latest CDs in his ongoing association with Bridge Records are the Complete Scriabin Sonatas, “Close Connections,” a recital of 20th-Century pieces, and two CDs of works by Liszt. In recognition of the Chopin bicentenary in 2010, Mr. Ohlsson was featured in a documentary “The Art of Chopin” co-produced by Polish, French, British and Chinese television stations. Most recently, both Brahms concerti and Tchaikovsky’s second piano concerto were released on live performance recordings with the Melbourne and Sydney Symphonies on their own recording labels, and Mr. Ohlsson was featured on Dvorak’s piano concerto in the Czech Philharmonic’s recordings of the composer’s complete symphonies & concertos, released July of 2014 on the Decca label.

A native of White Plains, N.Y., Garrick Ohlsson began his piano studies at the age of 8, at the Westchester Conservatory of Music; at 13 he entered The Juilliard School, in New York City. His musical development has been influenced in completely different ways by a succession of distinguished teachers, most notably Claudio Arrau, Olga Barabini, Tom Lishman, Sascha Gorodnitzki, Rosina Lhévinne and Irma Wolpe. Although he won First Prizes at the 1966 Busoni Competition in Italy and the 1968 Montréal Piano Competition, it was his 1970 triumph at the International Chopin Competition in Warsaw, where he won the Gold Medal (and remains the single American to have done so), that brought him worldwide recognition as one of the finest pianists of his generation. Since then he has made nearly a dozen tours of Poland, where he retains immense personal popularity. Mr. Ohlsson was awarded the Avery Fisher Prize in 1994 and received the 1998 University Musical Society Distinguished Artist Award in Ann Arbor, MI. He is the 2014 recipient of the Jean Gimbel Lane Prize in Piano Performance from the Northwestern University Bienen School of Music, and in August 2018 the Polish Deputy Culture Minister awarded him with the Gloria Artis Gold Medal for cultural merit. He is a Steinway Artist and makes his home in San Francisco.

About Billy Childs

Billy Childs has emerged as one of the foremost American composers of his era, perhaps the most distinctly American composer since Aaron Copland – for like Copland, he has successfully married the musical products of his heritage with the Western neoclassical traditions of the twentieth century in a powerful symbiosis of style, range, and dynamism.

Childs has received orchestral and chamber commissions from, among others: Esa-Pekka Salonen and the Los Angeles Philharmonic, the Detroit Symphony Orchestra under the baton of Leonard Slatkin, the Los Angeles Master Chorale, the National Symphony, the Minnesota Orchestra, the Orpheus Orchestra, the St. Paul Chamber Orchestra, the Kronos Quartet, the Dorian Wind Quintet, the Lincoln Center Jazz Orchestra, the Isidore Quartet, the American Brass Quintet, the Ying Quartet, the Lyris Quartet, Anne Akiko Meyers, Rachel Barton Pine, and Inna Faliks. His works have been performed at Carnegie Hall, Kennedy Center, and Disney Concert Hall.

He has also garnered seventeen GRAMMY nominations and six awards: two for Best Instrumental Composition (Into the Light from Lyric and The Path Among The Trees from Autumn: In Moving Pictures), two for Best Arrangement Accompanying a Vocalist (including New York Tendaberry from Map to the Treasure: Reimagining Laura Nyro, featuring Renee Fleming and Yo-Yo Ma), and two for Best Instrumental Jazz Album: Rebirth (2018) and The Winds of Change (2024). In 2006, Childs was awarded a Chamber Music America Composer’s Grant, and in 2009 was the recipient of a Guggenheim Fellowship. In 2013 he was awarded the Doris Duke Performing Artist Award. He has also been awarded a Composers Award from the American Academy of Arts and Letters (2015). In 2018, Childs was named Outstanding Alumnus of the Thornton School of Music (sharing that honor with, among others: Morton Lauridsen, Michael Tilson Thomas, and Marilyn Horne). Childs has also served as president of Chamber Music America (2016-2022).

His jazz career began in 1977, when he joined the band of trombonist J.J. Johnson. Soon thereafter (in 1978) trumpet legend Freddie Hubbard recognized the 21-year-old’s prodigious talents, and invited Childs to join his star-studded ensemble. Over a six-year internship that followed, Hubbard became Childs’ mentor in mastering the art of small ensemble improvisation. Childs launched his recording career as a jazz solo artist in 1988, when he released four critically acclaimed albums on the Windham Hill Jazz label. He has also recorded two volumes of “jazz/chamber music” (an amalgam of jazz and classical music) – Lyric, Vol. 1 (2006) and Autumn: In Moving Pictures, Vol. 2 (2010); both recordings have collectively been nominated for five GRAMMY awards (winning twice). In 2014, Childs recorded a collection of re-imagined Laura Nyro compositions for Sony Masterworks. Map to the Treasure: Reimagining Laura Nyro was produced by Larry Klein, and features guest artists Renee Fleming, Yo-Yo Ma, Wayne Shorter, Alison Kraus, Dianne Reeves, Chris Botti, Esperanza Spalding, and Lisa Fischer. In 2017, Childs released the first of his Mack Avenue recordings, Rebirth, which won the 2018 GRAMMY award for Best Instrumental Jazz Album. The second, Acceptance, was released in 2020, and the third, The Winds of Change, was released in March, 2023, winning the 2024 GRAMMY Award for Best Instrumental Jazz Album.

As a pianist Childs has performed with Yo-Yo Ma, Sting, Renee Fleming, the Los Angeles Philharmonic, The Los Angeles Master Chorale, the Detroit Symphony, Rachel Barton Pine, Anne Akiko Meyers, Chick Corea, the Kronos Quartet, Wynton Marsalis, Jack DeJohnette, the Dorian Wind Quintet, Ying Quartet, the American Brass Quintet, and Dave Holland.

Hannah Goldshlack-Wolf
hannah@wildkatpr.com
+1 917 330 2046